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Title:"Joker, Joker, Deuce"
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I do not read a lot of poetry. I haven't made a conscious effort to avoid it; it just seems that poetry, as an artistic medium, has laid low, a quiet voice drowned by prose extroverts. After reading Paul Beatty's "Joker, Joker, Deuce," however, it is clear that this docile presence of poetry was really a personal misconception. The voice of poetry has always been there; I just haven't been listening.Beatty has developed a distinct style ripe with resonant imagery and hilarious witticisms. The poems vary greatly in length, but each rings with a subtle, Mingus-like cadence. With awe-inspiring success, "Joker, Joker, Deuce" maintains a complex rhythm cover to cover. In between two longer poems, "At Ease" and "That's Not in My Job Description," Beatty inserts the song, "Why That Abbott and Costello Vaudeville Mess Never Worked with Black People": "who's on first? / i dont know, your mama." A number of these short, intriguing absurdities hide between the pages of fast-paced monologue and tragic irony. In "Two Pink Dots? You Positive?" a teenage mother recalls the birth of her son -- how she hated the baby because of the vileness of the world she had brought him into, and how her love for the child makes it possible for her to endure the injustices she suffers. There is humor in almost every line, no matter how grave the issue, and, somehow, it is the humor that testifies to the honesty and legitimacy of all that Beatty has to say.
From the poem "Dib Dab"
smooth as . . .
the first latin black korean
national hockey league offensive superstar
center ice crossovers
one hand on the stick
blue line breakaway
blastin a drive high and tight
stick side
red light and siren
smooth as . . .
grandads 30 year old
one sunday a month
white patent leather shoes
ones he wears with his lucky powder blue slacks
when he takes you to the track
santa anita belmont yonkers
gives you two disability dollars a race
and tells you to bet the trifecta
on the horses with the names you like
smooth as . . .
a cab calloway blip blap big band stikkle tat riff
rolling over his process
from front to back
sliding on its knees
down the greased part
of a geechee getto trickster in full regalia
smooth as fuck
The subject matter of "Joker, Joker, Deuce" is decisively racial. The pages are filled with eloquently hip snapshots of everyday life; they bring to light the ever-present and shamefully overlooked tension of race relations in modern America. If you are concerned about these issues, then these poems are a feast for thought. If you think you've got the issues figured out then "Joker, Joker, Deuce" should make you think twice. In either case, these pages serve well to illustrate the ever-narrowing gap between "high" and "popular" culture, reminding the reader that poetry has not lost its vitality. On the contrary, Paul Beatty's progressive wit and ingenuity ensure the genre of contemporary American poetry will continue to enrich our lives.
Read Tripod's interview with Paul Beatty.
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